In “Border Crossing,” the speaker of the poem laments about being labeled an “illegal.” She remembers a life, before the change in geography, where she was a complete person, “but between the leaving and entering they changed how they look at me—objects once labeled can’t be relabeled, you know.” Somehow in the border crossing, her existence was reduced to one word, a word that carries with it all the weight of past and future discriminations.
“Border Crossing.” The Minnesota Review (Virginia Tech, Duke University Press), Durham, NC, Issue No. 90, Spring 2018, pp. 14. Publishing contemporary poetry and fiction as well as reviews, critical commentary, and interviews of leading intellectual figures, The Minnesota Review curates smart, accessible collections of progressive new work.
I’m honored to announce the publication of my poem “Summer Sale” in the Spring/Summer 2017 issue of Common Ground Review.
About “Summer Sale”
In this poem, the place—a strange antique shop located in an aging downtown of a forgotten town—is the subject. The poem points the reader’s attention to the blue-colored objects in the shop and around town—from cobalt plates to tungsten steps to cyan lights, everything blue is priced for a summer sale. It’s as if the town is trying to rid itself of the “blues.”
To create a sense of nostalgia for a bygone time, I used an iambic pentameter with a traditional rhyme scheme (ababcc). When writing in metrical verse, I usually employ internal rhymes, slant rhymes and enjambments in order to avoid the hard-hitting repetition of sounds that can come across as sing-song and/or passé, which tends to turn the contemporary reader off of traditional verse. [page 50]
Affiliated with Western New England University, Common Ground Review publishes well-crafted poems that surprise and illuminate, amuse and inform, and challenge. Issues are $10 each.