On the Subject of Lust

An excerpt from the Author Q & A session for The Suburban Review #8 on the subject of lust and the poem “Fourteen” by Samantha Lê.

By: Dinu Kumarasinghe, associate editor. 

lust
On the subject of lust and the poem “Fourteen” by Samantha Lê.

DK: How is lust dangerous? How does youth affect that danger?

SL: Whether it’s a lust for life, art, food, sex, or adventure, lust is one of the main ingredients of passion, which enhances its attractiveness. It makes the palms sweat and causes the heart to beat faster. It encourages risk-taking. I think in every life, there should be a little room carved out for lust. But, lust can become dangerous, especially when it’s given a place at the altar in one’s life, where it manipulates ethics and reason and negatively influences the decision-making process. When this happens, cravings become obsessions, acting as the erosive agent that destroys a person’s connection to the world. As lust spins out of control, the identity is absorbed, and the moral center is set askew. The by-product that this type of lust inevitably spits out is always chaos. No one can live a balanced or meaningful life that’s 100% motivated by lust.

Often, youth calls lust by the wrong name, confusing lust for love, intimacy, sexual awakening or even empowerment. But, without the necessary life experience to act as a guide and an unwavering understanding of the relationship been cause and effect, actions and consequences, it’s easy to lose oneself to such an intoxication. As the result, youth is often exposed to the dangerous nature of lust because youth innocently and willingly puts a mask on such danger and calls it friend. [Read more.]

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From:  “Q&A with Samantha Lê,” The Suburban Review, No. 8, Melbourne, Australia.  Dinu Kumarasinghe, asso. ed., 5 November, 2017.

“Fourteen” by Samantha Lê is published in Melbourne’s The Suburban Review #8

Suburban#8

I’m honored to announce the publication of my poem “Fourteen” in The Suburban Review #8, Summer 2017 issue.  Available now online.

About “Fourteen

The sonnet is one of my favorite forms—a compact love song that packs a punch.  In “Fourteen,” I used this traditional form to explore a contemporary subject.  This poem is about a fourteen year-old girl whom, motivated by boredom, decides to experiment sexually without grasping the magnitude of such acts or her own developing sexual powers.  [read poem, page 27]

About The Suburban Review

The Suburban Review is a literary collective based in Melbourne, Australia.  A quarterly digital journal of short fiction, creative non-fiction, poetry and art.  Digital issues are AU$7.00 each.

 

“My Father on That Last Day of Summer, 1983” & “Morning Market, Sa Đéc 1981” by Samantha Lê published in Perfume River Poetry Review

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I’m honored to announce the publication of two poems from my Vietnam series in the “Vietnam Forever,” 5th Anniversary double issue of Perfume River Poetry Review by Tourane Poetry Press in San Jose, California.

 

About “Morning Market, Sa Đéc 1981

For this poem, I highlighted the collection of scenes from the market place as representatives of a larger reality.  Post-war Vietnam, where the transfer of wealth from one privileged class to another had created incomprehensible poverty and deficit, was “the worst of times.”  People haggled over the price of one green mango and one liter of fish sauce.  A toy pot made of clay was considered a luxury item.  And when human and cultural survival is under such an attack, sometimes it’s necessary to pretend not to see the disturbing things right in front of you (just as the child in the poem pretended not to see the fly walked across the old woman’s eyes) in order for life to press onward.  By showing these scenes through a child’s lens, I remove politics from the narrative, making the political personal.  War is personal.  Hunger is personal.  [read poem, page 21]

About “My Father on That Last Day of Summer, 1983

This poem is as much a tribute to my wanderlust father as it is a tribute to the place that we both love.  Vũng Tàu on the South China Sea was once bright and full of colors, but now only lives as an ideal backdrop for daydreams.  Written as a blank verse, I wanted to use the structure of the traditional form to capture the rhythm of the sea, which was the constant heartbeat beneath the skin of all our narratives.  [read poem, page 23]

 

About “Vietnam Forever” from Vuong Vo, Editor of Perfume River Poetry Review

I have decided to do a double issue for our fifth anniversary.  One issue will explore Vietnamese culture, celebrate our heritage, and give voice to what it means to be Vietnamese.  The second issue will be a tribute to Vietnam War veterans and survivors, whose stories need to be told and need to be heard—now more than ever.  As there must be time for war and a time for peace, there too must an issue for war and one that allows poems to sing about Vietnam.  Print issues are $15 each.

“Making Love on the Roof” by Samantha Lê is published in The Boiler Journal

I’m honored to announce the publication of my poem “Making Love on the Roof” Summer 2017 issue of The Boiler Journal.  This issue is available free online.

About “Making Love on the Roof

On a city rooftop, two people try to find momentary relief from loneliness by surrendering their bodies to each other—to the possibility of something different.  Away from the rooftop, the man writes poetry about a woman named Ruth, and the woman makes mock turtle stew; but on the roof they play the parts of strangers clutching to connect with someone in the world.  [read poem]

About The Boiler Journal

Began by a group of writers at Sarah Lawrence College, The Boiler Journal is an online quarterly that publishes fresh and lively works of poetry, fiction, and nonfiction from emerging and established authors.

“Conversations with the Diocese of the Desert” by Samantha Lê is published in 3Elements Literary Review

3elements-S17-coverI’m honored to announce the publication of my poem “Conversations with the Diocese of the Desert” in issue no. 15 of 3Elements Literary Review, Summer 2017.  This issue is available free online.

About “Conversations with the Diocese of the Desert”

For this issue, contributors were tasked to use the words “temple,” “yard sale,” and “visitation” in a poem.  In Biblical writings, a visitation is defined as the divine investigation or inspection of person’s character and deeds with a view to apportioning to them their due lot, whether of reward or of chastisement; divine dispensation of mercy or of punishment. (International Standard Bible Encyclopedia)  Inspired by this word and a strange dream about abandoned lawn chairs in the desert, I created a narrative about a woman who goes to the desert to seek answers.  On a lawn chair, facing the dawning of a new day and a person whom she believes to be holy, she asks all her relevant and irrelevant questions, but receives no holy answers in return.  Discovery, after all, is only achieved through repeated self-questioning.  [page 47]

About 3Elements Review

3Elements Literary Review is an independent literary journal, publishing fiction, nonfiction, poetry, art, and photography. Please show your support by visiting the website.

Samantha Lê ~ Featured Poet in the Aurorean, Spring/Summer 2017 issue

I’m honored to be a Featured Poet of the Aurorean Spring/Summer 2017 issue, and that my poems “La Comédie,” “Tongue Tied,” and “Your Absence” were selected for publication.

[This issue of the Aurorean is now available for purchase.]

About “La Comédie”

A villanelle.  The refrains in this French form create a sing-song quality that contrasts with the bleakness of the poem’s subject matter: the search for relief from loneliness.  I made the allusion to Honoré de Balzac’s La Comédie humaine to speak to the superficiality of  social ambitions in a world where other more urgent challenges exist.  [page 60]

About “Tongue Tied”

The speaker of the poem laments about being devoured by her lover, yet she accepts it and goes along with it, continuing to insist on “nothing” until she manages to forget what she tries to deny.  [page 61]

About “Your Absence”

A woman waits for her man to return from war.  His absence is an oppressive presence in her life.  Haunted by memories of him, she spends nights reassuring herself that he’s still alive by combing through fatality lists for his name.  There’s a silent sacrifice and courage in the act waiting that’s seldom addressed.  When it comes to understanding the intangible subject of war, a writer must find a way to make the political personal.  Only one story can be heard at a time in order for the collective sounds of all the hearts breaking to have an impact.  [page 62]

About the Aurorean

One of New England’s premier poetry journals, The Aurorean, an Encircle Publications, is a biannual poetry journal.  Focusing on poetry of New England and poetry of the seasons, The Aurorean has been published continually since 1995, featuring the work of over 1,300 poets worldwide.  Digital issues are $3 each.  Printed issues are $11 each.  [visit website]

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Quote: Charles Bukowski

“great writers are indecent people
they live unfairly
saving the best part for paper.”

― from The People Look Like Flowers at Last