“Watching Dad’s Porn on the VCR” by Samantha Lê published in The Minnesota Review

In “Watching Dad’s Porn on the VCR,” a poem about girlhood, the speaker of the poem searches for her identity in the images reflected back at her from the television screen “…Mouth of a prophet, tongue of a poet….” Her sense of self is tangled up in what she believes to be the definition of a man—the one for whom the women on the screen carry out their performances.

close-to-electronics-outdated-704555.jpg

Watching Dad’s Porn on the VCR.” The Minnesota Review (Virginia Tech, Duke University Press), Durham, NC, Issue No. 90, Spring 2018, pp. 15. Publishing contemporary poetry and fiction as well as reviews, critical commentary, and interviews of leading intellectual figures, The Minnesota Review curates smart, accessible collections of progressive new work.

“Border Crossing” by Samantha Lê published in The Minnesota Review

In “Border Crossing,” the speaker of the poem laments about being labeled an “illegal.” She remembers a life, before the change in geography, where she was a complete person, “but between the leaving and entering they changed how they look at me—objects once labeled can’t be relabeled, you know.” Somehow in the border crossing, her existence was reduced to one word, a word that carries with it all the weight of past and future discriminations.

photo of woman walk through pathway

Photo by Dương Nhân on Pexels.com

Border Crossing.” The Minnesota Review (Virginia Tech, Duke University Press), Durham, NC, Issue No. 90, Spring 2018, pp. 14. Publishing contemporary poetry and fiction as well as reviews, critical commentary, and interviews of leading intellectual figures, The Minnesota Review curates smart, accessible collections of progressive new work.

“That Other Guy” by Samantha Lê published in Outlook Springs

black-and-white-man-person-cigarette.jpg

Who hasn’t secretly wanted to be that other guy?

the one
made up of consonants
and super hero punches
the guy with a secret name
no one can pronounce […]

We live in an age of comparisons.  We write farfetched narratives for the lives of strangers, friends and acquaintances, then find ourselves, by comparison, to be as soft and unappetizing as a croissant in a microwave.  It is madness.

“That Other Guy” is published in Issue No. 4 of Outlook Springs, Spring 2018, pp. 71, a literary journal from another dimension devoted to fiction, poetry, and non-fiction tinged with the strange.

Well-RED Reading Series

book-reading

Poetry reading by Samantha Lê & Darrell Dela Cruz with book signing to follow.

Please join me at the Well-RED Reading Series, sponsored by Poetry Center San Jose, for an exciting night of  poetry.

When: Tuesday, March 13, 2018 (7:00 p.m. – 9:00 p.m.)
Where: Works/San Jose, Arts & Performance Center
(365 S. Market St., San Jose, CA)

This event is free to the public.

More information on Facebook.

“Visions of the Aging Poet” by Samantha Lê published by The Lullwater Review

pexels-photo-529926.jpeg

In “Visions of the Aging Poet,” the young writer glimpses visions of her aging poet teacher outside the halls of academia where he’s god.  Under the light of an ordinary day, she realizes the evolution of their relationship, how she’s poised to take his place on the world’s stage, but he’s not ready to let go.  He struggles against history to remain relevant.

[…]
At the podium, you sprout beak without heart.
Smoky breaths; velvet tongue.
Face chapped
with unwritten lines. Desperate
for love, you chase away the audience […]

The complete version of this poem is published in Vol. XXVI of The Lullwater Review, Winter 2018 issue, pp. 23.  The Lullwater Review is Emory University’s nationally recognized student-run literary review founded in 1990.

 

“Tongue Tied” by Samantha Lê published by Tule Review

A short and punchy poem about the cannibalistic nature love.  In “Tongue Tied,” the speaker of the poem laments about being devoured by her lover, yet she accepts it and goes along with it, continuing to insist on “nothing” until she manages to forget what she tries to deny.

“Tongue Tied” is published in the Fall/Winter 2017 issue of Tule Review.  Tule Review is the publication of the Sacramento Poetry Center (Sacramento, CA). Publishes once a year, the journal showcases new writers and award winners from the region and across the nation.

On the Subject of Lust

An excerpt from the Author Q & A session for The Suburban Review #8 on the subject of lust and the poem “Fourteen” by Samantha Lê.

By: Dinu Kumarasinghe, associate editor. 

lust

On the subject of lust and the poem “Fourteen” by Samantha Lê.

DK: How is lust dangerous? How does youth affect that danger?

SL: Whether it’s a lust for life, art, food, sex, or adventure, lust is one of the main ingredients of passion, which enhances its attractiveness. It makes the palms sweat and causes the heart to beat faster. It encourages risk-taking. I think in every life, there should be a little room carved out for lust. But, lust can become dangerous, especially when it’s given a place at the altar in one’s life, where it manipulates ethics and reason and negatively influences the decision-making process. When this happens, cravings become obsessions, acting as the erosive agent that destroys a person’s connection to the world. As lust spins out of control, the identity is absorbed, and the moral center is set askew. The by-product that this type of lust inevitably spits out is always chaos. No one can live a balanced or meaningful life that’s 100% motivated by lust.

Often, youth calls lust by the wrong name, confusing lust for love, intimacy, sexual awakening or even empowerment. But, without the necessary life experience to act as a guide and an unwavering understanding of the relationship been cause and effect, actions and consequences, it’s easy to lose oneself to such an intoxication. As the result, youth is often exposed to the dangerous nature of lust because youth innocently and willingly puts a mask on such danger and calls it friend. [Read more.]

__

From:  “Q&A with Samantha Lê,” The Suburban Review, No. 8, Melbourne, Australia.  Dinu Kumarasinghe, asso. ed., 5 November, 2017.

2017 Indie Author Day

IndieAuthorDay2

Please join me at San Luis Obispo’s Indie Author Day.   I’ll be signing books and giving a short poetry reading.  My reading will take place around 12:00 p.m., and there will be other writers reading their works throughout the event.

When: Saturday, October 21, 2017 (10:00 a.m. – 2:00 p.m.)
Where: San Luis Obispo Public Library (995 Palm St.)

This event is free to the public.

“Fourteen” by Samantha Lê is published in Melbourne’s The Suburban Review #8

Suburban#8

I’m honored to announce the publication of my poem “Fourteen” in The Suburban Review #8, Summer 2017 issue.  Available now online.

About “Fourteen

The sonnet is one of my favorite forms—a compact love song that packs a punch.  In “Fourteen,” I used this traditional form to explore a contemporary subject.  This poem is about a fourteen year-old girl whom, motivated by boredom, decides to experiment sexually without grasping the magnitude of such acts or her own developing sexual powers.  [read poem, page 27]

About The Suburban Review

The Suburban Review is a literary collective based in Melbourne, Australia.  A quarterly digital journal of short fiction, creative non-fiction, poetry and art.  Digital issues are AU$7.00 each.

 

“Making Love on the Roof” by Samantha Lê is published in The Boiler Journal

I’m honored to announce the publication of my poem “Making Love on the Roof” Summer 2017 issue of The Boiler Journal.  This issue is available free online.

About “Making Love on the Roof

On a city rooftop, two people try to find momentary relief from loneliness by surrendering their bodies to each other—to the possibility of something different.  Away from the rooftop, the man writes poetry about a woman named Ruth, and the woman makes mock turtle stew; but on the roof they play the parts of strangers clutching to connect with someone in the world.  [read poem]

About The Boiler Journal

Began by a group of writers at Sarah Lawrence College, The Boiler Journal is an online quarterly that publishes fresh and lively works of poetry, fiction, and nonfiction from emerging and established authors.

“Conversations with the Diocese of the Desert” by Samantha Lê is published in 3Elements Literary Review

3elements-S17-coverI’m honored to announce the publication of my poem “Conversations with the Diocese of the Desert” in issue no. 15 of 3Elements Literary Review, Summer 2017.  This issue is available free online.

About “Conversations with the Diocese of the Desert”

For this issue, contributors were tasked to use the words “temple,” “yard sale,” and “visitation” in a poem.  In Biblical writings, a visitation is defined as the divine investigation or inspection of person’s character and deeds with a view to apportioning to them their due lot, whether of reward or of chastisement; divine dispensation of mercy or of punishment. (International Standard Bible Encyclopedia)  Inspired by this word and a strange dream about abandoned lawn chairs in the desert, I created a narrative about a woman who goes to the desert to seek answers.  On a lawn chair, facing the dawning of a new day and a person whom she believes to be holy, she asks all her relevant and irrelevant questions, but receives no holy answers in return.  Discovery, after all, is only achieved through repeated self-questioning.  [page 47]

About 3Elements Review

3Elements Literary Review is an independent literary journal, publishing fiction, nonfiction, poetry, art, and photography. Please show your support by visiting the website.

“Summer Sale” by Samantha Lê published in Common Ground Review

I’m honored to announce the publication of my poem “Summer Sale” in the Spring/Summer 2017 issue of Common Ground Review.

About “Summer Sale”

In this poem, the place—a strange antique shop located in an aging downtown of a forgotten town—is the subject.  The poem points the reader’s attention to the blue-colored objects in the shop and around town—from cobalt plates to tungsten steps to cyan lights, everything blue is priced for a summer sale.  It’s as if the town is trying to rid itself of the “blues.”

To create a sense of nostalgia for a bygone time, I used an iambic pentameter with a traditional rhyme scheme (ababcc).  When writing in metrical verse, I usually employ internal rhymes, slant rhymes and enjambments in order to avoid the hard-hitting repetition of sounds that can come across as sing-song and/or passé, which tends to turn the contemporary reader off of traditional verse.  [page 50]

About Common Ground Review

Affiliated with Western New England University, Common Ground Review publishes well-crafted poems that surprise and illuminate, amuse and inform, and challenge.  Issues are $10 each.