I’m happy to announce that my poems “To Myself at Eight” and “The Disappearance” are featured in the beautiful Summer 2017 issue of Hypertrophic Literary. [Available online and in print].
About “To Myself at Eight”
In the passing along of female traditions, the cost of such inheritance is often freedom. Mothers packaged their seasoned fears and self-imposed limitations into neat boxes, which they gift to their daughters in the form of expectations and wisdom. Be pretty, they say. Be quiet and demure. Don’t be smarter than men. An unmarried woman is incomplete, etc. How do girls, born free but aren’t raised free, emancipate themselves from this inherited mental slavery when the well-meaning people in the lives, mothers, aunts, grandmothers—the ones responsible for their development into womanhood—insist upon oppression disguised as traditions? [page 8]
About “The Disappearance”
Written in three parts, this poem occupies the space created by the aftermath of an event. The reader enters the poem after a family unit has been broken apart, and as the dust settles the damage reveals itself. In part 1, the reader is introduced to the husband and father. Left and indignant, he expresses his anger outwardly, losing control on everyday objects. In part 3, the left child expresses her anger inwardly, learning secretive ways to cope. And sandwiched between them in part 2 are their shared memories of the woman who’s disappeared from their lives—wife, mother, buffer—leaving behind people who are just as broken as she was. [page 30]
About Hypertrophic Literary
Hypertrophic Press is an independent press that publishes both books and a quarterly literary magazine. Digital issues are $3 each. Printed issues are $10 each. [visit website]
“There is nothing to writing. All you do is sit down at a typewriter and bleed.”
I’m happy to announce that my poems “Last Bar in Okinawa” and “Home from College” have been selected for publication in the 2017 issue of Two Thirds North. To read the online version, please click here.
“Last Bar in Okinawa” and “Home from College” is also be included in the 2017 print issue of Two Thirds North, available for purchase.
A man, with pockets stuffed with stones to insure that he’ll sink when he steps into the water, stops at bar for his last drink while outside the ocean waits for him. This poem was inspired by a photo a friend had taken of a bar in Okinawa. I was reading about suicides in Japan at the time, and the idea for the poem came together quite spontaneously… and then months of edits followed.
“Bar in Okinawa” photo by William Karstens
I originally structured this as a long narrative poem. I built an entire life for the man to explain how he’d come to be in this bar; but through the revision process, I decided to discard the narrative and keep only the emotions. The months of trying to whittle this poem down to the essential truth led me to conclude that it no longer mattered to the man how he had arrived at this moment in his life, it only mattered that he was there and how he felt. [read poem, page 40]
This poem is about twin brothers, home from college, finding their old bedroom transformed into a gift-wrapping room. Perhaps it’s the newness of a familiar place, perhaps it’s because they’ve been apart and have missed the closeness they once shared, but events unfold with the older brother taking his twin’s virginity. The younger twin feels that he’s “made” into a man by this act and surrenders to the pleasure. [read poem, page 65]
About Two Thirds North
Two Thirds North is a high-quality, annual print magazine produced by the Master Class in Creative Writing and Editing at the Department of English, Stockholm University. Issues are $10 each. [visit website]